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Stable interior with amorous scene by François Boucher

Stable interior with amorous scene

François Boucher·1735

Historical Context

Stable Interior with Amorous Scene from 1735 at the Musee Cognacq-Jay shows Boucher painting a genre scene of rural dalliance. His peasant genre paintings provided a rustic counterpart to his courtly mythological compositions. Boucher's mythological paintings define the Rococo aesthetic in French art: soft luminous flesh, cascading draperies in rose and blue, and theatrical artificial landscape. They were produced largely for Madame de Pompadour, Louis XV's mistress and Boucher's greatest pat...

Technical Analysis

The genre scene captures rural amusement with warm palette and decorative handling. Boucher's Rococo sensibility transforms the rustic subject into elegant entertainment.

See It In Person

Musée Cognacq-Jay

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
55.5 × 43.2 cm
Era
Rococo
Style
French Rococo
Genre
Genre
Location
Musée Cognacq-Jay, Paris
View on museum website →

More by François Boucher

Are They Thinking about the Grape? (Pensent-ils au raisin?) by François Boucher

Are They Thinking about the Grape? (Pensent-ils au raisin?)

François Boucher·1747

Bathing Nymph by François Boucher

Bathing Nymph

François Boucher·c. 1745–50

Angelica and Medoro by François Boucher

Angelica and Medoro

François Boucher·1763

The Dispatch of the Messenger by François Boucher

The Dispatch of the Messenger

François Boucher·1765

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700