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Salvator Mundi by Palma Vecchio

Salvator Mundi

Palma Vecchio·1519

Historical Context

Palma Vecchio's Salvator Mundi from around 1519, now in the Museum of Fine Arts Budapest, depicts Christ as Savior of the World — the image type deriving from early Christian symbolism of Christ's sovereignty over creation. The Salvator Mundi format — half-length Christ blessing with an orb — was popularized by Leonardo da Vinci's famous version and adopted by Venice's leading painters as a vehicle for combining devotional subject with the display of figure painting skills. Palma's version reflects the influence of Giorgione and Titian in its warm coloring and atmospheric modeling, creating a figure of Christ whose human warmth and divine authority are held in characteristic Venetian balance.

Technical Analysis

Palma Vecchio renders the Salvator Mundi with characteristic Venetian warmth and atmospheric modeling, using rich, saturated color and soft tonal transitions in his broad, painterly technique.

See It In Person

Musée des Beaux-Arts de Strasbourg

Strasbourg, France

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
74 × 63 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Musée des Beaux-Arts de Strasbourg, Strasbourg
View on museum website →

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The Assumption of the Virgin by Palma Vecchio

The Assumption of the Virgin

Palma Vecchio·1513

Resting Venus by Palma Vecchio

Resting Venus

Palma Vecchio·1518

Judith by Palma Vecchio

Judith

Palma Vecchio·1525

Saints Mark, George and Nicholas  free Venice from the Demons (Sea Storm) by Palma Vecchio

Saints Mark, George and Nicholas free Venice from the Demons (Sea Storm)

Palma Vecchio·1528

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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