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Annunciation with Saints Maxima and Ansanus by Simone Martini

Annunciation with Saints Maxima and Ansanus

Simone Martini·1333

Historical Context

The Annunciation with Saints Ansanus and Maxima by Simone Martini and Lippo Memmi, signed and dated 1333, is one of the most celebrated paintings of the entire Gothic period and an icon of Sienese art. Created for the altar of Sant'Ansano in Siena Cathedral, the painting transforms the sacred encounter between Gabriel and Mary into a moment of supreme courtly elegance. The work's extraordinary refinement of line and gold tooling represents the absolute pinnacle of the Sienese Gothic aesthetic, and its influence extended throughout Europe as the embodiment of Gothic pictorial grace.

Technical Analysis

Executed in egg tempera and gold leaf on panel with exceptionally elaborate tooled and punched gold surfaces, the painting is a masterpiece of Gothic craftsmanship. Simone's sinuous, calligraphic line — particularly in the angel's billowing cloak and the Virgin's recoiling pose — creates an almost musical rhythm that transcends mere representation.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
158 × 48 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Uffizi Gallery, Florence
View on museum website →

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Triptych of Saint Augustine by Simone Martini

Triptych of Saint Augustine

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Polyptych of Saint Dominique by Simone Martini

Polyptych of Saint Dominique

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Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

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