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Pieta
Historical Context
This 1539 Pietà was painted during Sebastiano's later years, after he received the office of the Piombo in 1531. His late Pietà compositions, with their dark, monumental gravity, reflect both Michelangelo's design influence and the somber mood of post-Sack Rome. The dark, monumental gravity of Sebastiano's late Pietà compositions reflects his lifelong dialogue with Michelangelo, whose drawings and aesthetic ideas shaped Sebastiano's Roman career more than any other single influence.
Technical Analysis
The painting employs a dark tonal palette with powerfully modeled figures, demonstrating the brooding grandeur that characterized Sebastiano's mature treatment of the Passion.
See It In Person
More by Sebastiano del Piombo

Christ Carrying the Cross
Sebastiano del Piombo·c. 1515–17

Portrait of a Man, Said to be Christopher Columbus (born about 1446, died 1506)
Sebastiano del Piombo (Sebastiano Luciani)·1519

Portrait of a Young Woman as a Wise Virgin
Sebastiano del Piombo·c. 1510

Cardinal Bandinello Sauli, His Secretary, and Two Geographers
Sebastiano del Piombo·1516



