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Colonel Francis James Scott by Sir Henry Raeburn

Colonel Francis James Scott

Sir Henry Raeburn·1796/1811

Historical Context

Colonel Francis James Scott's portrait, painted between 1796 and 1811, depicts a Scottish military officer during the period of the French Revolutionary and Napoleonic Wars, when Scottish officers served throughout Britain's global military commitments. Military portraiture was a significant part of Raeburn's practice — Scottish officers frequently commissioned portraits before deployment, both for their families and as displays of professional pride. Raeburn's military portraits combine the authority of the uniform with his characteristic psychological directness, giving these men of action the same quality of inner life he found in his legal and literary subjects. The portrait's extended dating range suggests either multiple sittings or revisions over the years.

Technical Analysis

The military portrait shows Raeburn's characteristic bold technique applied to a formal subject. The uniform's dark fabric is rendered with broad, confident strokes, while the face receives more detailed attention with warm, vigorous modeling.

Provenance

Presented by the sitter to James Pillans, 1815.[1] Bequeathed to William Soltan Pillans, London.[2] (Anon. [=Miss Pillans] sale, Christie, Manson & Woods, London, 1 July 1899, no. 100), bought by (Thos. Agnew & Sons), London, who sold it 1899 to Marcus Trevelyan Martin, London. Mrs. Marcus Trevelyan Martin, who sold it October 1921 to (M. Knoedler & Co.), London,[3] from whose New York branch it was purchased May 1922 by Andrew W. Mellon, Pittsburgh and Washington, by whom deeded December 1934 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift to NGA, 1937. [1] There is an inscription on the back of the lining canvas, presumably copied from the original canvas: "Colonel Francis James Scott to his Friend James Pillans Esq. 1815." [2] A label on the back of the lining canvas is inscribed: "Portrait of Colonel Francis Scott of Harsely, my much regarded friend--to William Soltan Pillans--given for family preservation specially noted in my settlement J. Pillans." "Harsely" perhaps refers to Horsley Hall, Strontian, Argyllshire, the only "Harsely" in Scotland. [3] M. Knoedler & Co. stock books (Helmut Ripperger to Ross Watson, 28 September 1969, in NGA curatorial files).

See It In Person

National Gallery of Art

Washington, D.C., United States

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Quick Facts

Medium
Oil on canvas
Dimensions
overall: 128 × 102 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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