![Saint Peter, with Saint James Major [left panel] by Martino di Bartolomeo](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Saint_Peter%2C_with_Saint_James_Major_(left_panel)_A18033.jpg&width=1200)
Saint Peter, with Saint James Major [left panel]
Martino di Bartolomeo·c. 1415/1420
Historical Context
Martino di Bartolomeo's Saint Peter with Saint James Major, the left panel of a triptych from around 1415-20, shows two apostles in the Byzantine-influenced style that characterized late Gothic Sienese painting. Peter holds his keys — symbol of Christ's grant of ecclesiastical authority — while James carries the pilgrim's staff of the Camino de Santiago. These panels originally flanked a central Madonna and Child, their formal poses and gold grounds creating the hierarchical sacred space appropriate to altarpiece painting in Siena's conservative religious culture. Martino di Bartolomeo worked in Siena and Pisa during the late Trecento and early Quattrocento, maintaining the elegant late Gothic idiom of Taddeo di Bartolo and absorbing the sophisticated International Gothic style circulating through Italy during this period of intense artistic exchange.
Technical Analysis
Martino's tempera-on-panel technique produces the bright, clear color and precise linear drawing characteristic of the Sienese school. The saints are rendered with the decorative elegance of the late Gothic tradition, their attributes clearly displayed for devotional identification.
Provenance
Private collection, London, by 1924.[1] Samuel L. Fuller [1875-1963], New York;[2] gift 1950 to NGA. [1] See F. Mason Perkins, “Su alcune pitture di Martino di Bartolomeo,” _Rassegna d’Arte Senese_ 18 (1924): 5-12. The author does not divulge the name of the collector, but since he mentions that it was the collector himself who had suggested the attribution to Martino di Bartolomeo, the owner was undoubtedly a connoisseur and probably an amateur dealer such as Robert Langton Douglas or Edward Hutton, both active in London. A note from Ellis Waterhouse, written 22 July 1980, and recorded in NGA curatorial files, says, “I have old Langton Douglas photographs of these.” [2] See Fern Rusk Shapley, _Catalogue of the Italian Paintings_, 2 vols., Washington, D.C., 1979: 1:303.
See It In Person
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![Madonna and Child, with the Blessing Christ [middle panel] by Martino di Bartolomeo](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Madonna_and_Child%2C_with_the_Blessing_Christ_(middle_panel)_A18023.jpg&width=600)
Madonna and Child, with the Blessing Christ [middle panel]
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![Deacon Saint, with Saint Anthony Abbot [right panel] by Martino di Bartolomeo](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Deacon_Saint%2C_with_Saint_Anthony_Abbot_(right_panel)_A18043.jpg&width=600)
Deacon Saint, with Saint Anthony Abbot [right panel]
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![Madonna and Child with the Blessing Christ, and Saints Peter, James Major, Anthony Abbott, and a Deacon Saint [entire triptych] by Martino di Bartolomeo](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Martino_di_Bartolomeo_-_Madonna_and_Child_with_the_Blessing_Christ%2C_and_Saints_Peter%2C_James_Major%2C_Anthony_Abbott%2C_and_a_Deacon_Saint_(entire_triptych)_-_1950.11.1.a-c_-_National_Gallery_of_Art.jpg&width=600)
Madonna and Child with the Blessing Christ, and Saints Peter, James Major, Anthony Abbott, and a Deacon Saint [entire triptych]
Martino di Bartolomeo·c. 1415/1420
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Saint Stephen (with the Angel of the Annunciation)
Martino di Bartolomeo·1412



