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Evening by William Blake

Evening

William Blake·c. 1820/1825

Historical Context

Blake's Evening from around 1820-25 is a late watercolor that shows his mature synthesis of his personal visionary mythology with the natural world's daily cycle. Evening's transition from day to night was one of Blake's primary symbolic moments — the failing of material light as the beginning of spiritual illumination, the threshold between the visible world and the eternal realm that he believed underlay it. His late watercolors and temperas achieved a luminous color quality through his idiosyncratic technique that gave even natural subjects — time of day, seasonal change, weather — a quality of supernatural presence. This late work shows him working in a more intimate, lyrical register than his major prophetic books.

Technical Analysis

Blake's mixed technique of watercolor and chalk on wood creates a luminous, dreamlike effect, with soft atmospheric washes contrasting with his characteristically precise linear drawing.

Provenance

Rev. John Johnson; Canon Cowper Johnson; Bertram R. Vaughan Johnson; his widow; Rev. B. Talbot Vaughan Johnson; the Vaughan Johnson Trust; (sale, Sotheby's, 18 July 1979, no. 59); purchased by (Thomas Agnew & Sons, Ltd., London) for Mr. and Mrs. Gordon Hanes, Winston-Salem, North Carolina; gift 1990 to NGA.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Watercolor and chalk on wood
Dimensions
overall: 91.8 × 29.7 cm
Era
Romanticism
Style
British Romanticism
Genre
Mythology
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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