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The Great Red Dragon and the Woman Clothed with the Sun by William Blake

The Great Red Dragon and the Woman Clothed with the Sun

William Blake·1805

Historical Context

The Great Red Dragon and the Woman Clothed with the Sun from around 1805 is part of Blake's series illustrating the Book of Revelation, among the most powerful visionary images in Western art. Blake's apocalyptic watercolors transform biblical text into images of terrifying sublimity that no other artist of the period could approach. Blake created these works using his distinctive tempera or watercolor technique combined with his personal mythological vision that placed him outside the mainstream of British art while anticipating later Symbolist and Romantic visionaries. The image depicts the moment from Revelation 12 when the great red dragon confronts the woman clothed with the sun, the moon under her feet and a crown of twelve stars upon her head — a cosmic confrontation between evil and the divine feminine that Blake rendered with an intensity that transforms biblical allegory into personal vision. The Rosenwald Collection, now largely at the National Gallery of Art in Washington, preserves these works as among the greatest achievements of British Romantic art.

Technical Analysis

Blake's distinctive technique combines precise linear drawing with transparent watercolor washes, the muscular dragon figure rendered with anatomical intensity against the cosmic backdrop.

Look Closer

  • ◆The Red Dragon's scale within the composition is overwhelming — the creature fills the upper portion completely, making the Woman Clothed with the Sun below appear tiny and vulnerable.
  • ◆Blake renders the Dragon's muscular back — seen from behind — with anatomical attention to how a creature of this impossible size would distribute its mass across wings, spine, and haunches.
  • ◆The Woman is shown with the specific attributes from Revelation 12 — crowned with twelve stars, clothed with the sun, the moon at her feet — Blake illustrates the text with literalist fidelity within his visionary style.
  • ◆The color of the Dragon — deep crimson shifting to dark brown-black at the wing tips — is applied in the flat, unmodulated washes of Blake's watercolor technique, giving the creature a heraldic quality.
  • ◆The Dragon's tail sweeps through the background sky, drawing a third of the stars down to earth — Blake depicts this textual detail as a literal arc of white points across the upper canvas.

See It In Person

Rosenwald Collection

Washington, D.C.,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Religious
Location
Rosenwald Collection, Washington, D.C.
View on museum website →

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The Angel Appearing to Zacharias by William Blake

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St. Matthew by William Blake

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Job and His Daughters by William Blake

Job and His Daughters

William Blake·1799/1800

The Last Supper by William Blake

The Last Supper

William Blake·1799

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