
The number of the beast is 666
William Blake·1805
Historical Context
The Number of the Beast is 666 from 1805 continues Blake's series of Revelation illustrations, addressing the apocalyptic number and its associated imagery from Chapter 13. Blake saw in Revelation a code for understanding the spiritual history of humanity, interpreting its imagery not as literal prophecy but as a systematic account of the spiritual forces that determine historical experience. Blake's highly personal technique — combining watercolor, tempera, and sometimes relief etching — was inseparable from his visionary content; he worked outside the academic tradition, selling relatively little in his lifetime while creating some of the most original art of the Romantic era. The number 666, associated in Revelation with the Beast and the false prophet, was for Blake a symbol of the materialist philosophy and institutional religion he believed enslaved humanity's spiritual potential. Now at the Brooklyn Museum, this work is part of an American collection that has long recognized Blake's importance as a visionary artist whose influence on subsequent generations far exceeded his commercial success in his own lifetime.
Technical Analysis
The visionary composition combines precise figurative drawing with symbolic elements, Blake's characteristic technique of line and luminous wash creating an image of prophetic intensity.
Look Closer
- ◆The Beast of Revelation has seven crowned heads—Blake numbers them clearly, making.
- ◆The woman Babylon seated on the Beast holds a golden cup that Blake associates with spiritual.
- ◆Blake's colouring here departs from his usual warm palette—the Beast rendered in lurid greens.
- ◆The crowd prostrating before the Beast is rendered as a mass without individual faces—anonymity.

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