_-_A_Lady_Seen_in_Profile_-_P.75-1938_-_Victoria_and_Albert_Museum.jpg&width=1200)
A Lady Seen in Profile
Luca Carlevarijs·ca. 1700-ca. 1710
Historical Context
This profile study of a Venetian lady is part of Luca Carlevarijs's extensive figure repertoire, assembled for use as staffage in his vedute paintings of Venice. Carlevarijs, the founder of the Venetian veduta tradition that Canaletto would later dominate, made meticulous studies of contemporary Venetian costume and social types to populate his city views with convincing life. The V&A holds over a hundred such drawings, constituting an unparalleled archive of early eighteenth-century Venetian dress and social identity. The lady's zendale — the distinctive Venetian women's head covering — documents a costume specific to the Republic that distinguished Venetian women from their counterparts elsewhere in Italy.
Technical Analysis
The profile view is painted with economy, capturing the essential outline of the figure and costume in quick, assured strokes. The limited palette suggests the study was made for compositional reference rather than as a finished work.
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: Prints & Drawings Study Room, level H
Visit museum website →_-_A_Lady_Seen_from_Behind_-_P.70-1938_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_A_Gondola_-_P.28-1938_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_A_Gondola%2C_End_View_-_P.26-1938_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_Study_of_a_Fish_-_P.30-1938_-_Victoria_and_Albert_Museum.jpg&width=400)



