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A Gondola: End View
Luca Carlevarijs·ca. 1700-ca. 1710
Historical Context
Carlevarijs's end-view study of a Venetian gondola complements his side-view studies by providing an understanding of the vessel's three-dimensional form from multiple angles. The gondola's distinctive shape — asymmetrically built to compensate for the single-oar propulsion — was unique among European watercraft, and its accurate representation was a technical requirement for artists wishing to depict Venetian scenes convincingly. Carlevarijs's methodical study of the gondola from multiple angles reflects the scientific spirit of early eighteenth-century visual documentation and his understanding that his vedute paintings would be scrutinized by viewers who knew Venice intimately and could judge the accuracy of his representations.
Technical Analysis
The unusual foreshortened viewpoint is captured with accurate perspective drawing. The dark silhouette of the hull against a lighter ground emphasizes the distinctive curved profile that makes the gondola immediately recognizable.
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: Prints & Drawings Study Room, level H
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