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The Flood
Philip James de Loutherbourg·ca. 1700-1800
Historical Context
De Loutherbourg's The Flood depicts the biblical deluge with the dramatic visual resources he developed for portraying natural catastrophe — surging water, terrified figures, the overwhelming power of natural forces. The Flood was one of the supreme demonstrations of the Sublime — the aesthetic category that Burke and Kant had theorized and that De Loutherbourg's paintings embodied — combining the theological narrative of divine judgment with the dramatic natural spectacle of a world overwhelmed by water. His theatrical experience designing stage effects for Drury Lane informed his approach to natural disasters, giving his biblical catastrophes the visual impact of well-designed theatrical spectacle.
Technical Analysis
De Loutherbourg's oil on canvas creates overwhelming dramatic effect through turbulent composition, powerful contrasts of light and dark, and the sense of natural catastrophe that draws on both Baroque tradition and theatrical stagecraft.
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: Paintings, Room 88, The Edwin and Susan Davies Galleries
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