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L'aveugle trompé by Jean-Baptiste Greuze

L'aveugle trompé

Jean-Baptiste Greuze·1755

Historical Context

L'aveugle trompé — The Blind Man Deceived — belongs to Greuze's comic-satirical vein, in which he depicted figures humiliated by those who should care for them. A blind man being deceived by a woman carries multiple layers: the proverb of love's blindness, the vulnerability of disability exploited by feminine cunning, and the comedy of a respectable old man made ridiculous. This painting sits within an eighteenth-century tradition of 'unequal couple' imagery in which age, blindness, and credulity are punished by youth and cunning — a tradition rooted in Dutch genre painting that Greuze's French contemporaries enjoyed without entirely endorsing.

Technical Analysis

Greuze's compositional skill is evident in how clearly the deception is legible to the viewer while the blind man remains oblivious — the deceiver's expression and gesture directed at the viewer as co-conspirators in witnessing the comedy. His smooth flesh rendering gives the deceiving face an irresistible clarity.

See It In Person

Pushkin Museum of Fine Arts

Moscow, Russia

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
66 × 54 cm
Era
Rococo
Style
French Rococo
Genre
Genre
Location
Pushkin Museum of Fine Arts, Moscow
View on museum website →

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Head of a Young Woman by Jean-Baptiste Greuze

Head of a Young Woman

Jean-Baptiste Greuze·possibly 1780s

Study of a Woman’s Head by Jean-Baptiste Greuze

Study of a Woman’s Head

Jean-Baptiste Greuze·ca. 1780

Princess Varvara Nikolaevna Gagarina (1762–1802) by Jean-Baptiste Greuze

Princess Varvara Nikolaevna Gagarina (1762–1802)

Jean-Baptiste Greuze·ca. 1780–82

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817) by Jean-Baptiste Greuze

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817)

Jean-Baptiste Greuze·late 1780s

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