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The tears of St. Peter by Jusepe de Ribera

The tears of St. Peter

Jusepe de Ribera·1700

Historical Context

The Tears of Saint Peter — the apostle weeping after denying Christ three times — was among the most emotionally charged subjects in Counter-Reformation devotional art, encouraging the faithful to emulate Peter's repentance. Ribera's unflinching naturalism made him uniquely suited to this subject, as his ability to paint grief on an aged face was unmatched among his contemporaries. The weeping apostle became a symbol of the sacrament of confession and the possibility of divine forgiveness.

Technical Analysis

Close-up framing and upward gaze create an intense emotional connection between the viewer and the weeping saint. The tears and reddened eyes are rendered with such naturalistic precision that the painting seems to capture a specific moment of lived human grief.

See It In Person

Musée des Beaux-Arts de Carcassonne

Carcassonne, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
66 × 53 cm
Era
Rococo
Style
Spanish Rococo
Genre
Religious
Location
Musée des Beaux-Arts de Carcassonne, Carcassonne
View on museum website →

More by Jusepe de Ribera

Penitent Saint Peter by Jusepe de Ribera

Penitent Saint Peter

Jusepe de Ribera·c. 1630

The Holy Family with Saints Anne and Catherine of Alexandria by Jusepe de Ribera (called Lo Spagnoletto)

The Holy Family with Saints Anne and Catherine of Alexandria

Jusepe de Ribera (called Lo Spagnoletto)·1648

The Tears of Saint Peter by Jusepe de Ribera (called Lo Spagnoletto)

The Tears of Saint Peter

Jusepe de Ribera (called Lo Spagnoletto)·ca. 1612–13

Saint Jerome by Jusepe de Ribera

Saint Jerome

Jusepe de Ribera·c. 1638–40

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Annunciation to the Shepherds

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The Madonna with the Seven Founders of the Servite Order

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700