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Bacchante by Angelica Kauffmann

Bacchante

Angelica Kauffmann·1772

Historical Context

This 1772 painting of a Bacchante depicts a female follower of Bacchus, a classical subject that allowed Kauffmann to combine the idealized female figure with mythological narrative. Such semi-draped classical figures were a staple of Neoclassical painting. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly roughness.

Technical Analysis

The mythological figure is rendered with Kauffmann's characteristic elegance and soft color, combining sensuous beauty with classical refinement. The artist's command of composition and surface quality reflects years of disciplined practice and keen artistic sensibility.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
76.9 × 64.3 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Mythology
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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