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Saint Jude the Apostle by Georges de La Tour

Saint Jude the Apostle

Georges de La Tour·1650

Historical Context

This image of Saint Jude, dated around 1650, is one of the last works attributed to La Tour before his death during the epidemic that swept Luneville in January 1652. The somber intensity of the figure reflects the devastation of the Thirty Years' War, which had ravaged Lorraine throughout La Tour's career and may have contributed to the profound gravity of his religious art. The Baroque era (c.1600-1750) embraced dramatic chiaroscuro, dynamic composition, and emotional intensity to convey religious truth and dynastic power.

Technical Analysis

The figure emerges from near-total darkness with only focused illumination on the face and hands, exemplifying La Tour's radical late reduction of means. The paint surface is smooth and almost translucent, building form through subtle tonal transitions.

See It In Person

Musée Toulouse-Lautrec

Toulouse, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
62 × 53 cm
Era
Baroque
Style
French Baroque
Genre
Religious
Location
Musée Toulouse-Lautrec, Toulouse
View on museum website →

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Saint Peter Repentant by Georges de La Tour

Saint Peter Repentant

Georges de La Tour·1645

The Repentant Magdalen by Georges de La Tour

The Repentant Magdalen

Georges de La Tour·c. 1635/1640

The Apparition of the Angel to St. Joseph by Georges de La Tour

The Apparition of the Angel to St. Joseph

Georges de La Tour·1640

The Adoration of the Shepherds by Georges de La Tour

The Adoration of the Shepherds

Georges de La Tour·1645

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The Vision of Saint Francis by Lodovico Carracci

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612