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Moonlight, Wolf by Frederic Remington

Moonlight, Wolf

Frederic Remington·1904

Historical Context

Moonlight, Wolf at the Addison Gallery of American Art in Andover belongs to the series of nocturnal Western landscapes Remington produced in his final decade, when he became increasingly interested in painting darkness, moonlight, and the almost abstract quality of landscape at night. The wolf as a subject under moonlight combined his Western naturalism with the atmospheric possibilities of nocturnal painting, placing animal and landscape within a night world of reduced colour and suggestive shadow. The Addison Gallery, associated with Phillips Academy, holds one of the most significant collections of American art in the country.

Technical Analysis

Nocturnal painting required Remington to abandon the warm, high-contrast colour he used in his daytime subjects and work in the cool, limited palette of moonlit nights. He renders the wolf as a dark form against a slightly lighter snow or ground surface, using faint moonlight to define edges without eliminating the darkness.

See It In Person

Addison Gallery of American Art

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
Romanticism
Genre
Landscape
Location
Addison Gallery of American Art,
View on museum website →

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The Interpreter Waved at the Youth by Frederic Remington

The Interpreter Waved at the Youth

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The Fire-Eater Slung His Victim Across His Pony by Frederic Remington

The Fire-Eater Slung His Victim Across His Pony

Frederic Remington·1900

Nothing But Cheerful Looks Followed the Bat by Frederic Remington

Nothing But Cheerful Looks Followed the Bat

Frederic Remington·1900

I Will Tell the White Man by Frederic Remington

I Will Tell the White Man

Frederic Remington·1900

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