Odilia von Hohenburg, Maria Magdalena und jungfräuliche Märtyrerin

Thoman Burgkmair created this work around 1492 during the High Renaissance period. The painting reflects the artistic traditions of its time and place, contributing to the rich tapestry of European painting that characterized the late fifteenth and early sixteenth centuries. The tempera-on-panel medium required a carefully gessoed surface and was painted in fine, precise layers, yielding a luminous, jewel-like surface of great durability.

Oil on panel demonstrating the techniques characteristic of High Renaissance painting. The work shows competent handling of its subject matter within established artistic conventions.