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Le Christ adoré par huit saints by Neri di Bicci

Le Christ adoré par huit saints

Neri di Bicci·1450

Historical Context

Le Christ adoré par huit saints, at the Musée du Petit Palais in Avignon, presents Christ in glory surrounded by eight standing saints—a sacra conversazione format that was among the most commonly requested compositions in fifteenth-century Italian devotional painting. Neri di Bicci's Avignon panel represents the wide diffusion of Florentine workshop products across Europe, as Italian paintings were exported or carried by traveling merchants and clergy throughout the fifteenth century. The Musée du Petit Palais in Avignon holds one of the finest collections of medieval and early Renaissance Italian painting outside Italy.

Technical Analysis

The saints are arranged symmetrically around the central Christ figure, each identifiable by their attributes—palm branches, books, instruments of martyrdom. The gold ground is tooled with a simple punched pattern around the haloes, and the draperies are rendered in the standard Florentine egg tempera technique of hatched brushstrokes over a gessoed panel.

See It In Person

Musée du Petit Palais

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
20 × 90 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Musée du Petit Palais, Paris
View on museum website →

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Virgin and Child with Angels by Neri di Bicci

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Saint Jerome in the Wilderness by Neri di Bicci

Saint Jerome in the Wilderness

Neri di Bicci·1437

Virgin and Child Enthroned with Four Angels by Neri di Bicci

Virgin and Child Enthroned with Four Angels

Neri di Bicci·1445

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