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Woman Catching Fleas by Georges de La Tour

Woman Catching Fleas

Georges de La Tour·1635

Historical Context

Woman Catching Fleas from 1635 at the Musée Lorrain in Nancy is a genre scene from La Tour's candlelit paintings that transforms a mundane domestic activity into an image of concentrated stillness. The painting's matter-of-fact treatment of a humble subject anticipates Chardin's quiet dignity in everyday scenes. Characteristic of the artist's mature approach, the work displays extreme tenebrism using a single candle or flame as the sole light source, simplification of forms to near-geometric purity, silent contemplative mood, elimination of all extraneous narrative detail.

Technical Analysis

The candle illuminates the woman's concentrated expression with La Tour's characteristic geometric simplification of forms, the warm light against the dark background creating an atmosphere of intimate silence.

See It In Person

Musée Lorrain

,

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Quick Facts

Medium
Oil paint
Dimensions
121 × 89 cm
Era
Baroque
Style
French Baroque
Genre
Genre
Location
Musée Lorrain,
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Saint Peter Repentant by Georges de La Tour

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The Repentant Magdalen by Georges de La Tour

The Repentant Magdalen

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The Apparition of the Angel to St. Joseph by Georges de La Tour

The Apparition of the Angel to St. Joseph

Georges de La Tour·1640

The Adoration of the Shepherds by Georges de La Tour

The Adoration of the Shepherds

Georges de La Tour·1645

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

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