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Cupid Disarmed
Angelica Kauffmann·c. 1774
Historical Context
This painting of Cupid Disarmed from around 1774 depicts the love god stripped of his weapons, a popular Neoclassical theme that celebrated the triumph of virtue over passion. Such allegorical subjects formed a significant part of Kauffmann's production. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly roughness.
Technical Analysis
The mythological scene is rendered with Kauffmann's characteristic softness and grace, using delicate color and refined drawing. The artist's command of composition and surface quality reflects years of disciplined practice and keen artistic sensibility.
See It In Person
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Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776
