
Diana Discovering the Pregnancy of Callisto
Angelica Kauffmann·c. 1774
Historical Context
Diana Discovering the Pregnancy of Callisto depicts the mythological moment when the virgin huntress discovers her nymph’s betrayal by Jupiter. Kauffmann treated this dramatic subject from Ovid’s Metamorphoses with characteristic restraint, emphasizing the emotional tension between the women rather than the more salacious elements favored by earlier painters. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.
Technical Analysis
Kauffmann arranges the female figures in a classical frieze-like composition. The woodland setting provides a naturalistic backdrop rendered in her characteristically soft, harmonious palette.
See It In Person
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Mrs. Hugh Morgan and Her Daughter
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The Sorrow of Telemachus
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Telemachus and the Nymphs of Calypso
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%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



