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Penelope Mourning over the Bow of Odysseus by Angelica Kauffmann

Penelope Mourning over the Bow of Odysseus

Angelica Kauffmann·c. 1774

Historical Context

This painting of Penelope mourning over the bow of Odysseus from around 1774 treats a Homeric subject with the emotional focus that characterized Kauffmann's approach to classical mythology. The faithful Penelope, weeping over her absent husband's weapon, embodied the virtue of female constancy. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled...

Technical Analysis

The composition demonstrates Kauffmann's ability to convey deep emotion through restrained gesture and expression, using the bow as a symbolic focal point for Penelope's grief.

See It In Person

Dumfries House

,

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Quick Facts

Medium
Oil on copper
Dimensions
25.4 × 19.2 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Mythology
Location
Dumfries House,
View on museum website →

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Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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