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Figure Study
Angelica Kauffmann·c. 1774
Historical Context
This figure study by Angelica Kauffmann from around 1774 reflects her academic training and commitment to the study of the human form that was central to history painting. Kauffmann's figure studies demonstrate the rigorous preparation that underpinned her ambitious narrative compositions. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch...
Technical Analysis
The study shows Kauffmann's refined draftsmanship and soft modeling, with careful attention to anatomical accuracy and graceful pose. The artist's command of composition and surface quality reflects years of disciplined practice and keen artistic sensibility.
See It In Person
More by Angelica Kauffmann
Mrs. Hugh Morgan and Her Daughter
Angelica Kauffmann·c. 1771
The Sorrow of Telemachus
Angelica Kauffmann·1783
Telemachus and the Nymphs of Calypso
Angelica Kauffmann·1782
%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776
