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Maria
Angelica Kauffmann·c. 1774
Historical Context
Maria at Nottingham Museums likely depicts a literary heroine, possibly from Laurence Sterne’s A Sentimental Journey, a subject that allowed Kauffmann to combine portraiture conventions with literary narrative. Sterne’s Maria, the beautiful mad woman encountered by the narrator, was a popular subject that embodied the 18th-century cult of sensibility. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.
Technical Analysis
The figure is rendered with Kauffmann’s characteristic soft, sympathetic approach to female subjects. Gentle lighting and a muted palette create an appropriately melancholic atmosphere.
See It In Person
More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter
Angelica Kauffmann·c. 1771

The Sorrow of Telemachus
Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso
Angelica Kauffmann·1782
%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



