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Maria by Angelica Kauffmann

Maria

Angelica Kauffmann·c. 1774

Historical Context

Maria at Nottingham Museums likely depicts a literary heroine, possibly from Laurence Sterne’s A Sentimental Journey, a subject that allowed Kauffmann to combine portraiture conventions with literary narrative. Sterne’s Maria, the beautiful mad woman encountered by the narrator, was a popular subject that embodied the 18th-century cult of sensibility. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.

Technical Analysis

The figure is rendered with Kauffmann’s characteristic soft, sympathetic approach to female subjects. Gentle lighting and a muted palette create an appropriately melancholic atmosphere.

See It In Person

Nottingham Museums

Nottingham, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
30.8 × 25.4 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Mythology
Location
Nottingham Museums, Nottingham
View on museum website →

More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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