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Portrait of a Woman
Angelica Kauffmann·c. 1774
Historical Context
This portrait of a woman from around 1774 belongs to Kauffmann's London period, when her studio was among the busiest in the city. Her female portraits combined the grace of Reynolds with a warmth and accessibility that particularly appealed to female patrons. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly roughness.
Technical Analysis
The portrait shows Kauffmann's refined handling and soft color, creating an image of feminine dignity and warmth characteristic of her approach to portraiture.
See It In Person
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%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776
