
Selbstbildnis am Scheideweg zwischen Musik und Malerei
Angelica Kauffmann·1792
Historical Context
This 1792 self-portrait at the crossroads between music and painting depicts Kauffmann's famous autobiographical allegory of her choice between two artistic vocations. A gifted musician as well as painter, Kauffmann chose painting at her father's encouragement, and this allegorical self-portrait became one of her most celebrated compositions. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.
Technical Analysis
The allegorical self-portrait demonstrates Kauffmann's ability to combine personal narrative with Neoclassical allegory, using the personifications of Music and Painting to frame her artistic autobiography.
See It In Person
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Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



