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Cornelia, Mother of the Gracchi by Angelica Kauffmann

Cornelia, Mother of the Gracchi

Angelica Kauffmann·1788

Historical Context

This 1788 painting of Cornelia, Mother of the Gracchi, depicts the Roman matron who famously pointed to her sons as her most precious jewels. The subject was enormously popular in Neoclassical art as an exemplum of maternal virtue and republican values. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly roughness.

Technical Analysis

The composition demonstrates Kauffmann's refined approach to Roman virtue subjects, with dignified figures and warm color harmonies that make the moral lesson accessible through aesthetic pleasure.

See It In Person

Royal Castle in Warsaw

Warsaw, Poland

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
110 × 152 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Genre
Location
Royal Castle in Warsaw, Warsaw
View on museum website →

More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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