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Cornelia, Mother of the Gracchi
Angelica Kauffmann·1788
Historical Context
This 1788 painting of Cornelia, Mother of the Gracchi, depicts the Roman matron who famously pointed to her sons as her most precious jewels. The subject was enormously popular in Neoclassical art as an exemplum of maternal virtue and republican values. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly roughness.
Technical Analysis
The composition demonstrates Kauffmann's refined approach to Roman virtue subjects, with dignified figures and warm color harmonies that make the moral lesson accessible through aesthetic pleasure.
See It In Person
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%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
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