
Jupiter and Callisto
Angelica Kauffmann·1760
Historical Context
Angelica Kauffmann painted Jupiter and Callisto around 1760, an early mythological composition depicting the Ovidian episode in which Jupiter, disguised as Diana, seduces the nymph Callisto. The subject was delicate — the divine assault is disguised as a same-sex encounter — and Kauffmann's early treatment shows her engaging with the erotic mythological tradition that her later, more restrained Neoclassical style would temper. The work demonstrates her precocious mastery of mythological narrative at the very beginning of her career, before the moral seriousness that characterizes her mature classical subjects had fully developed.
Technical Analysis
The early work shows Kauffman developing her characteristic soft palette and graceful figure style. The composition draws on Italian and French prototypes for this popular Ovidian subject, with delicate handling of the two female figures in a landscape setting.
See It In Person
More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter
Angelica Kauffmann·c. 1771

The Sorrow of Telemachus
Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso
Angelica Kauffmann·1782
%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



