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Punishment of Cupid by Angelica Kauffmann

Punishment of Cupid

Angelica Kauffmann·1770

Historical Context

Punishment of Cupid by Angelica Kauffmann depicts the chastisement of the god of love, a subject from classical mythology that allowed the neoclassical painter to combine decorative charm with moral allegory. Kauffmann, one of only two female founding members of the Royal Academy, specialized in mythological and historical subjects at a time when women were largely excluded from such ambitious genres. Neoclassicism (c.1760-1830) revived the austere virtues of ancient Greece and Rome in reaction to Rococo frivolity.

Technical Analysis

Kauffmann’s elegant neoclassical style renders the mythological figures with graceful, refined drawing. Soft coloring and delicate handling distinguish her approach from the more muscular classicism of her male contemporaries.

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Quick Facts

Medium
Oil on canvas
Era
Neoclassicism
Style
German Neoclassicism
Genre
Mythology
Location
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More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

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Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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