
Punishment of Cupid
Angelica Kauffmann·1770
Historical Context
Punishment of Cupid by Angelica Kauffmann depicts the chastisement of the god of love, a subject from classical mythology that allowed the neoclassical painter to combine decorative charm with moral allegory. Kauffmann, one of only two female founding members of the Royal Academy, specialized in mythological and historical subjects at a time when women were largely excluded from such ambitious genres. Neoclassicism (c.1760-1830) revived the austere virtues of ancient Greece and Rome in reaction to Rococo frivolity.
Technical Analysis
Kauffmann’s elegant neoclassical style renders the mythological figures with graceful, refined drawing. Soft coloring and delicate handling distinguish her approach from the more muscular classicism of her male contemporaries.
See It In Person
More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter
Angelica Kauffmann·c. 1771

The Sorrow of Telemachus
Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso
Angelica Kauffmann·1782
%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



