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Lot and his daughters
Historical Context
Pseudo Jan Wellens de Cock created this work around 1523 during the High Renaissance period. The painting reflects the artistic traditions and cultural preoccupations of its time and place of origin. The painting is in the Detroit Institute of Arts. The tempera-on-panel medium required a carefully gessoed surface and was painted in fine, precise layers, yielding a luminous, jewel-like surface of great durability.
Technical Analysis
The painting demonstrates the technical conventions and artistic vocabulary of the period, with attention to composition, color, and the rendering of form appropriate to the subject.
See It In Person
More by Pseudo Jan Wellens de Cock
Left wing of an altarpiece with the Circumcision (inner wing) and the Virgin of an Annunciation (outer wing)
Pseudo Jan Wellens de Cock·1520
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Triptych with the Crucifixion (centre panel), St Peter and a Male Donor (inner left wing), St James and a Female Donor (inner right wing), St Christopher and the Christ Child on the Road of Life (outer wings)
Pseudo Jan Wellens de Cock·1525

Calvary
Pseudo Jan Wellens de Cock·1520

The temptation of Saint Antony
Pseudo Jan Wellens de Cock·1525



