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Portrait of Princess Hermenegilde von Esterházy (1769–1845), née Liechtenstein, as Ariadne on Naxos by Élisabeth-Louise Vigée Le Brun

Portrait of Princess Hermenegilde von Esterházy (1769–1845), née Liechtenstein, as Ariadne on Naxos

Élisabeth-Louise Vigée Le Brun·1793

Historical Context

Vigée Le Brun's 1793 portrait of Princess Hermenegilde von Esterházy as Ariadne on Naxos was painted during the artist's exile from Revolutionary France, when she traveled through Europe portraying the aristocracy of the ancien régime in exile or in their home courts. The Liechtenstein Collection work casts its sitter in the role of Ariadne — abandoned by Theseus on Naxos — a subject that allowed Vigée Le Brun to combine portrait fidelity with neoclassical allegory. In 1793, as the French Revolution consumed the world these aristocrats had known, the allegory of abandonment carried resonances beyond mere classical learning.

Technical Analysis

Vigée Le Brun's fluid technique renders skin with silky warmth and drapery with ease. The neoclassical costume allows both classical reference and a display of the artist's ability to paint fine, loosely draped fabric. The expression is simultaneously the princess's likeness and the theatrical pose of Ariadne's melancholy.

See It In Person

Liechtenstein Collection

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Quick Facts

Medium
Oil paint
Dimensions
221 × 159 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Liechtenstein Collection,
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The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Élisabeth-Louise Vigée Le Brun

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Élisabeth-Louise Vigée Le Brun·1787

Madame du Barry by Élisabeth Louise Vigée Le Brun

Madame du Barry

Élisabeth Louise Vigée Le Brun·1782

Marie Antoinette with a Rose by Élisabeth Louise Vigée Le Brun

Marie Antoinette with a Rose

Élisabeth Louise Vigée Le Brun·1783

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Portrait of a Musician by Alessandro Longhi

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