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Portrait of a Lady, half-length, in a yellow shawl by Angelica Kauffmann

Portrait of a Lady, half-length, in a yellow shawl

Angelica Kauffmann·c. 1774

Historical Context

This portrait of a lady in a yellow shawl demonstrates Kauffmann’s success as a portraitist alongside her history paintings. Working in London (1766–1781) and then in Rome, she attracted an international clientele of aristocrats, Grand Tourists, and cultural figures who prized her elegant, flattering portrait style. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.

Technical Analysis

The yellow shawl provides a warm color accent that Kauffmann uses to frame the sitter’s features. Her portrait technique combines neoclassical clarity with a soft, feminine elegance.

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Quick Facts

Medium
Oil paint
Era
Neoclassicism
Style
German Neoclassicism
Genre
Portrait
Location
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More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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