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Zeuxis Selecting Models for His Painting of Helen of Troy. by Angelica Kauffmann

Zeuxis Selecting Models for His Painting of Helen of Troy.

Angelica Kauffmann·1778

Historical Context

Angelica Kauffmann painted Zeuxis Selecting Models for His Painting of Helen of Troy around 1778, depicting the famous story of the ancient Greek painter who, unable to find a single woman beautiful enough to represent the ideal Helen, selected the finest features of multiple models to construct a composite ideal beauty. The subject was a standard vehicle for the Neoclassical theory of ideal beauty: the artist's task is not to copy nature but to surpass it through selective synthesis of its best qualities. As a woman painter depicting the act of selecting beautiful women as models, Kauffmann gives the traditional story a complex gender dimension: the female artist observing and evaluating female beauty according to the standard ideals of the male classical tradition.

Technical Analysis

Kauffman arranges the classical figures in an elegant composition with characteristic Neoclassical restraint. The soft coloring and graceful poses reflect her Roman training, while the subject matter affirms her intellectual engagement with art theory.

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Quick Facts

Medium
Oil paint
Era
Neoclassicism
Style
German Neoclassicism
Genre
Religious
Location
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Telemachus and the Nymphs of Calypso by Angelica Kauffmann

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Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

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Angelica Kauffmann·ca. 1776

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