
Portrait of a Lady
Angelica Kauffmann·1775
Historical Context
This 1775 portrait of a lady demonstrates Kauffmann's refined approach to female portraiture during her London years. Her portraits were admired for their combination of classical grace and warmth, offering an alternative to the more dramatic approach of Reynolds. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly...
Technical Analysis
The portrait shows Kauffmann's characteristic soft palette and gentle modeling, creating an image of refined femininity through harmonious color and elegant composition.
See It In Person
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%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



