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Portrait of a Lady by Angelica Kauffmann

Portrait of a Lady

Angelica Kauffmann·1775

Historical Context

This 1775 portrait of a lady demonstrates Kauffmann's refined approach to female portraiture during her London years. Her portraits were admired for their combination of classical grace and warmth, offering an alternative to the more dramatic approach of Reynolds. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly...

Technical Analysis

The portrait shows Kauffmann's characteristic soft palette and gentle modeling, creating an image of refined femininity through harmonious color and elegant composition.

See It In Person

Tate Britain

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Neoclassicism
Style
German Neoclassicism
Genre
Portrait
Location
Tate Britain, London
View on museum website →

More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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