.jpg&width=1200)
Saint Michael and Saint Christopher
Historical Context
This work by Master of the Bruges Legend of St. Ursula, created around 1483, reflects the anonymous workshop traditions that produced much of Europe's devotional art during the Early Renaissance period. Such panels served the liturgical and devotional needs of churches and private patrons across the continent. The oil medium allowed for rich tonal transitions and glazed layers of color that created luminous depth impossible with the older tempera technique. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.
Technical Analysis
Tempera on panel with the careful craftsmanship characteristic of established late fifteenth-century workshops. The work demonstrates competent handling of standard devotional or narrative subjects.
See It In Person
More by Master of the Bruges Legend of St. Ursula

Inner left wing of a triptych with the donor, his two sons and St John the Evangelist
Master of the Bruges Legend of St. Ursula·1480

Virgin and Child
Master of the Bruges Legend of St. Ursula·1487

Portrait of Ludovico Portinari
Master of the Bruges Legend of St. Ursula·1487
.jpg&width=600)
Virgin and Child and two angels
Master of the Bruges Legend of St. Ursula·1487



