Amor und Psyche
Angelica Kauffmann·1792
Historical Context
This 1792 painting of Amor and Psyche (Cupid and Psyche) treats the mythological love story that was a favorite subject of Neoclassical artists. Kauffmann's treatment emphasizes the tender, romantic aspects of the tale, appropriate to the sensibility of the age. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly...
Technical Analysis
The mythological scene is rendered with Kauffmann's characteristic elegance, with soft modeling and warm color creating a mood of tender romance within the classical narrative.
See It In Person
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%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
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