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santa cecilia converte valeriano
Bernardo Daddi·1326
Historical Context
Bernardo Daddi depicted the conversion of the Roman nobleman Valerian by Saint Cecilia around 1326, drawn from the popular hagiographic cycle of the early Christian martyr-saint. This narrative panel reflects the Gothic appetite for dramatic saints' legends rendered with the new pictorial naturalism pioneered by Giotto's Florentine school. The painting survives in Pisa's National Museum of San Matteo, suggesting it may have been commissioned for a Pisan church.
Technical Analysis
The narrative composition employs tempera on panel with gold leaf accents, organizing the conversion scene with clear spatial logic inherited from Giotto. Daddi's figures display the elegant proportions and graceful gestures that distinguish his work from the more austere Giottesque manner.







