_Retable_de_saint_Martin_-_St_Philippe%2C_St_Jacques_le_Majeur%2C_St_Barth%C3%A9l%C3%A9my%2C_St_Andr%C3%A9%2C_St_Jean%2C_St_Pierre_-_Ma%C3%AEtre_de_Riofrio_-_Mus%C3%A9e_Goya.jpg&width=1200)
Retable de saint Martin - St Philippe, St Jacques le Majeur, St Barthélémy, St André, St Jean, St Pierre
Master of Riofrío·1500
Historical Context
Master of Riofrío's treatment of this sacred subject in 1500 exemplifies the enduring importance of religious painting in the High Renaissance. Master of Riofrío brings distinctive artistic vision to the sacred narrative, creating a work that served both devotional and artistic purposes in fifteenth-century European culture. The final decades of the Quattrocento witnessed an explosion of artistic talent across Italy, with Florence, Venice, Ferrara, and Mantua all producing masters of the first rank.
Technical Analysis
Master of Riofrío employs skilled technique and careful observation to convey the spiritual gravity of the subject. The treatment of the figures shows careful study of earlier masters, while the palette and lighting create the devotional atmosphere the subject demands.
See It In Person
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Altarpiece of Saint Martin - The Crucifixion
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Altarpiece of Saint Martin - St Simon, St Thomas, St James the Less, St Matthew, St Paul, St Jude
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Altarpiece of Saint Martin - The Charity of Saint Martin
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_Retable_de_saint_Martin_-_L'Assomption_-_Ma%C3%AEtre_de_Riofrio_-_Mus%C3%A9e_Goya.jpg&width=600)
Altarpiece of Saint Martin - The Assumption
Master of Riofrío·1500
