
Bacchantes (Kauffman)
Angelica Kauffmann·c. 1774
Historical Context
Bacchantes by Kauffmann depicts the female followers of Dionysus in a celebration of classical sensuality tempered by neoclassical decorum. The subject allowed Kauffmann to paint the female form in dynamic, expressive poses while maintaining the refined restraint expected of a woman artist working within academic conventions. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.
Technical Analysis
The dancing bacchantes are arranged in a rhythmic, frieze-like composition. Kauffmann renders flowing drapery and animated gestures with characteristic grace and controlled sensuality.
See It In Person
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Mrs. Hugh Morgan and Her Daughter
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%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



