Der heilige Franziskus empfängt die Stigmata

Master of Saint Severin created this painting around 1500, now in the Wallraf–Richartz Museum. The work reflects the artistic production of the High Renaissance period, when workshops across Europe produced paintings for churches, courts, and private collectors. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.

The painting demonstrates the techniques and compositional approach characteristic of High Renaissance painting, with careful attention to the subject matter and the visual conventions of the period.