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Portrait of Elizabeth Kerr, née Fortescue, Marchioness of Lothian by Angelica Kauffmann

Portrait of Elizabeth Kerr, née Fortescue, Marchioness of Lothian

Angelica Kauffmann·1770

Historical Context

This 1770 portrait of Elizabeth Kerr, Marchioness of Lothian, was painted during Kauffmann's successful London period. Her portraits of British aristocratic women combined classical grace with fashionable elegance, making her one of the most sought-after portraitists in Georgian London. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that...

Technical Analysis

The portrait demonstrates Kauffmann's elegant approach to aristocratic female portraiture, with soft color and graceful pose that balance classical idealization with naturalistic likeness.

See It In Person

Clark Art Institute

Williamstown, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
77.3 × 64 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Portrait
Location
Clark Art Institute, Williamstown
View on museum website →

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Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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