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Cornelia, Mother of the Gracchi, Pointing to Her Children as Her Treasures by Angelica Kauffmann

Cornelia, Mother of the Gracchi, Pointing to Her Children as Her Treasures

Angelica Kauffmann·1785

Historical Context

This 1785 painting of Cornelia, Mother of the Gracchi, pointing to her children as her treasures is one of Kauffmann's most celebrated compositions. The Roman matron's exemplary motherhood became the supreme model of female virtue in Neoclassical art. Kauffmann's refined oil handling favored cool, clear colors and gracefully elongated figures that drew on classical sculpture and Raphael's serene compositions, executed with a smooth, controlled touch that avoided all painterly roughness.

Technical Analysis

The composition demonstrates Kauffmann's mastery of the history painting genre, with clearly organized figure groups and warm color that make the moral exemplum both instructive and aesthetically satisfying.

See It In Person

Virginia Museum of Fine Arts

Richmond, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
101.6 × 127 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Genre
Location
Virginia Museum of Fine Arts, Richmond
View on museum website →

More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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