
Romulus
Historical Context
Ingres's Romulus, Conqueror of Acron of 1812 depicts the legendary first king of Rome carrying the armor of the defeated Sabine king Acron to the temple of Jupiter — an image of triumphant military virtue performed as religious offering. The composition translates Greco-Roman frieze reliefs into a painted history image, Romulus's procession of warriors functioning as a visual essay in antique movement and costume. The subject's combination of military triumph and religious dedication reflects Ingres's Napoleonic-era engagement with Roman republican virtue as a model for contemporary France.
Technical Analysis
Ingres arranges the triumphant procession in a frieze-like composition inspired by Roman relief sculpture. The hard, precise outlines and monumental figure style reflect his study of early Italian primitives and Greek vase painting.
See It In Person
More by Jean Auguste Dominique Ingres

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)
Jean Auguste Dominique Ingres·1823

Amédée-David, the Comte de Pastoret
Jean Auguste Dominique Ingres·1823–26

Portrait of Luigi Edouardo Rossi, Count Pellegrino
Follower of Jean Auguste Dominique Ingres·c. 1820

Joseph-Antoine Moltedo (born 1775)
Jean Auguste Dominique Ingres·ca. 1810



