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Venus Induces Helen to Fall in Love with Paris by Angelica Kauffmann

Venus Induces Helen to Fall in Love with Paris

Angelica Kauffmann·1790

Historical Context

Angelica Kauffmann painted Venus Induces Helen to Fall in Love with Paris around 1790, depicting the Homeric scene in which the goddess of love manipulates Helen's emotions to make her fall in love with the Trojan prince who has come to Sparta as a guest — the divine conspiracy behind the abduction of Helen that started the Trojan War. The subject gave Kauffmann opportunity to explore the psychology of female desire and its relationship to divine manipulation, a theme suited to her sustained interest in the emotional and psychological dimensions of classical mythology. Her late Roman period, after she returned from London to Italy in 1781, shows an increasingly refined elegance in her figure style.

Technical Analysis

Kauffman employs her soft palette and graceful composition. The delicate handling of drapery and flesh tones demonstrates the refined Neoclassical style of her Roman maturity.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
102 × 127.5 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Mythology
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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Telemachus and the Nymphs of Calypso by Angelica Kauffmann

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Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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