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Nymph and Satyr by Jean-Antoine Watteau

Nymph and Satyr

Jean-Antoine Watteau·1716

Historical Context

Watteau's Nymph and Satyr of around 1716 depicts the classical encounter between the woodland spirit and the semi-divine creature — the satyr reaching for the sleeping or retreating nymph — in the parkland setting that Watteau transformed from conventional mythology into a specific emotional atmosphere. The painting demonstrates his ability to invest Ovidian mythology with the particular mixture of desire, melancholy, and theatrical artifice that makes all his subjects feel simultaneously real and imagined. The landscape setting's atmospheric quality is already distinctly Watteau, the light suffusing the foliage with the gold of perpetual late afternoon.

Technical Analysis

Watteau renders the classical subject with his characteristic fluid brushwork and delicate palette of warm flesh tones against a lush green landscape. The sensuous composition and the shimmering paint surface demonstrate his mastery of Rococo aesthetics.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
73.5 × 107.5 cm
Era
Rococo
Style
French Rococo
Genre
Mythology
Location
Department of Paintings of the Louvre, Paris
View on museum website →

More by Jean Antoine Watteau

Fête champêtre (Pastoral Gathering) by Jean Antoine Watteau

Fête champêtre (Pastoral Gathering)

Jean Antoine Watteau·1718–21

The Dreamer (La Rêveuse) by Jean Antoine Watteau

The Dreamer (La Rêveuse)

Jean Antoine Watteau·1712–14

The French Comedians by Antoine Watteau

The French Comedians

Antoine Watteau·ca. 1720

The Country Dance by Jean Antoine Watteau

The Country Dance

Jean Antoine Watteau·1704

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700