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Cupid Crowned by Psyche by Jean-Baptiste Greuze

Cupid Crowned by Psyche

Jean-Baptiste Greuze·1787

Historical Context

Greuze painted Cupid Crowned by Psyche around 1787, a late mythological subject that extended his female head studies into a fully allegorical composition. The work shows the evolution of his style away from the bourgeois domestic genre that had made his reputation toward the more explicitly sensuous mythological subjects of his final decades — a commercial response to the changing taste of the period that was moving away from the moralizing domestic genre toward the Neoclassical classical subjects. Psyche crowning the sleeping Cupid with a garland is a subject of erotic tenderness that occupies the meeting point between Greuze's sensuous female heads and the mythological painting of his younger contemporaries.

Technical Analysis

Greuze renders the two figures with the luminous flesh tones and tender expressions characteristic of his style. The intimate scale and warm palette are more reminiscent of his genre work than the grand manner expected of mythological subjects.

See It In Person

Palais des Beaux-Arts de Lille

Lille, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
147 × 180 cm
Era
Rococo
Style
French Rococo
Genre
Mythology
Location
Palais des Beaux-Arts de Lille, Lille
View on museum website →

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Head of a Young Woman by Jean-Baptiste Greuze

Head of a Young Woman

Jean-Baptiste Greuze·possibly 1780s

Study of a Woman’s Head by Jean-Baptiste Greuze

Study of a Woman’s Head

Jean-Baptiste Greuze·ca. 1780

Princess Varvara Nikolaevna Gagarina (1762–1802) by Jean-Baptiste Greuze

Princess Varvara Nikolaevna Gagarina (1762–1802)

Jean-Baptiste Greuze·ca. 1780–82

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817) by Jean-Baptiste Greuze

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817)

Jean-Baptiste Greuze·late 1780s

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