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Hercules and Diomedes by Antoine-Jean Gros

Hercules and Diomedes

Antoine-Jean Gros·1835

Historical Context

Antoine-Jean Gros's Hercules and Diomedes of 1835, his late mythological canvas, depicts the hero capturing the man-eating mares of Diomedes by throwing the Thracian king himself into his own horses' path. Gros painted this late work at a period when his career's significance was waning — the battle paintings that had defined his Napoleonic success were superseded by Romantic painting's new priorities, and Gros felt increasingly out of place. He died by drowning the same year the painting was completed, possibly by suicide, a tragic end to the career that had defined French battle painting.

Technical Analysis

Gros renders the violent wrestling match between the two mythological figures with muscular energy and dramatic lighting. The dark palette and the intensity of the physical struggle contrast with the more decorative approach of his other late mythological works.

See It In Person

Musée des Augustins

Toulouse, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
426 × 324 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Mythology
Location
Musée des Augustins, Toulouse
View on museum website →

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Portrait of the Maistre Sisters by Antoine-Jean Gros

Portrait of the Maistre Sisters

Antoine-Jean Gros·1796

Egyptian Family (Sketch for "The Battle of the Pyramids") by Antoine-Jean Gros

Egyptian Family (Sketch for "The Battle of the Pyramids")

Antoine-Jean Gros·c. 1835

Portrait of Count Jean-Antoine Chaptal by Antoine-Jean Gros

Portrait of Count Jean-Antoine Chaptal

Antoine-Jean Gros·1824

General Jean-Baptiste Kléber and Egyptian Family (Sketches for "The Battle of the Pyramids")  by Antoine-Jean Gros

General Jean-Baptiste Kléber and Egyptian Family (Sketches for "The Battle of the Pyramids")

Antoine-Jean Gros·c. 1835

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Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

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View on the River Roseau, Dominica

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