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Mezzetin by Jean-Antoine Watteau

Mezzetin

Jean-Antoine Watteau·1717

Historical Context

Watteau's Mezzetin of around 1717 depicts one of the stock characters of the Italian Commedia dell'Arte — the love-struck musician in harlequin-striped costume — serenading an absent or indifferent beloved. Mezzetin's back-turned posture and the ambiguous statue that may represent his unresponsive love create one of Watteau's most melancholic images, the performer's devotion meeting no visible response. The painting is among his most personal works, the actor's unrequited performance suggesting the painter's own aesthetic dilemma: the art that creates beauty for an audience that remains essentially unmoved.

Technical Analysis

Watteau renders the solitary musician with extraordinary sensitivity, his upturned face expressing the mingled hope and sadness of unrequited love. The shimmering striped silk costume and the lush garden setting are painted with his characteristic feathery brushwork.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
55.2 × 45.2 cm
Era
Rococo
Style
French Rococo
Genre
Genre
Location
Metropolitan Museum of Art, New York
View on museum website →

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Fête champêtre (Pastoral Gathering) by Jean Antoine Watteau

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The Dreamer (La Rêveuse) by Jean Antoine Watteau

The Dreamer (La Rêveuse)

Jean Antoine Watteau·1712–14

The French Comedians by Antoine Watteau

The French Comedians

Antoine Watteau·ca. 1720

The Country Dance by Jean Antoine Watteau

The Country Dance

Jean Antoine Watteau·1704

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

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The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700