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Self-Portrait with Yellow Hat by Hans von Marées

Self-Portrait with Yellow Hat

Hans von Marées·1874

Historical Context

Hans von Marées painted this Self-Portrait with Yellow Hat during his mature Italian period, when he was living in Rome and Naples and developing the monumental figure style that set him apart from the mainstream German academic painting of his day. Von Marées largely rejected the Salon and the official exhibition system, working in obscurity for much of his career but influencing the next generation of German painters profoundly. The yellow hat is conspicuous — a bold chromatic choice that signals the painterly self-consciousness of a self-portrait intended as much as a formal exercise as a personal likeness.

Technical Analysis

Von Marées builds the portrait with broad, firmly constructed strokes and a palette dominated by earthy reds, browns, and the emphatic yellow of the hat. His handling is distinctly anti-Salon — surfaces are openly worked with visible brushmarks, moving toward the simplified, architectonic figure types he would develop in his late frescoes. Light is used to model structure rather than decorate surface.

See It In Person

Alte Nationalgalerie

Berlin, Germany

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Quick Facts

Medium
Oil on canvas
Era
Impressionism
Style
Impressionism
Genre
Self-Portrait
Location
Alte Nationalgalerie, Berlin
View on museum website →

More by Hans von Marées

Youths in a Landscape ("Two Youths") by Hans von Marées

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Hans von Marées·1875

Die drei Reiter II: Hl. Martin by Hans von Marées

Die drei Reiter II: Hl. Martin

Hans von Marées·1885

Die drei Reiter II: Hl. Hubertus by Hans von Marées

Die drei Reiter II: Hl. Hubertus

Hans von Marées·1885

Die drei Reiter II: Hl. Georg by Hans von Marées

Die drei Reiter II: Hl. Georg

Hans von Marées·1885

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